1. Polytonality, bitonality, and cluster chords are examples of?
2. Which group consisted of six composers and represented the generation that became the avant-garde of Paris into the 1930s?
3. Which compositional approach treats all 12 tones of the chromatic scale equally, removing the idea that one note is a tonic (or home)?
4. What term describes the use of folk music or folk stories to bolster the music of a specific country?
5. What technique employed by Schönberg is where lyrics are delivered somewhere between speech and song?
6. Which nationality of composers traveled to Europe for training in the 19th century, but by the Modernist period, were writing music that had their own flavor?
7. Which Modernist concept suggests meanings are hidden and instead represented through fantastic and often otherworldly imagery?
8. What name was given to the atonal-driven composers Arnold Schönberg, Alban Berg, Anton Webern, and their circle?
9. Which influential music style in the U.S. became popular during the 1910s?
10. The debate concerning __________ was central to the Modernist aesthetic.
11. Which scale is made up of six notes, all a whole step apart from one another?
12. What central event in Europe represented a crisis for the Romantic ideas of the past and contributed to the modernist movement?
13. Which notable French composer used lots of musical impressionism?
14. Which Russian composer fled the October Revolution and settled in Paris, where he came into contact with many major trends of musical modernism?
15. Which Parisian avant-garde group put on works that included innovative dance and music, usually partnering with artists for unique costumes and sets?
16. Using this method, composers would take snippets of other music and include them within their own work.
17. What Modernist idea alluded to composers composing as far outside the older rules of music theory as they could possibly go?
18. This artistic movement was where the artist’s personal view became more important than the realistic depiction of an object.
19. What type of composition has no tonal center and resists functional harmony?
20. Which South American music style influenced composers of the modernist era?